Marina Abramović, the renowned Serbian conceptual and performance artist, has not only pushed the boundaries of artistic expression, but has also woven a complex tapestry of personal experiences, including her first marriage to Neša Paripović, a fellow Serbian artist.
Their association, which lasted from 1971 to 1976, was marked by both creative collaboration and personal challenges. Marina Abramović’s marriage to Neša Paripović was not without challenges.
The artist chose to live separately from her husband due to her mother’s disapproval, a decision that ultimately led to their divorce in 1976. Although personal circumstances may have affected their relationship, both artists continued to follow their individual creative paths, which contributed significantly to the art world itself.
Neša Paripović, an influential Serbian conceptual artist, has made a lasting impact on the art world through his multi-dimensional works, including photography, films, paintings and posters.
One of his most famous pieces, ‘NP 1977’, is a 22-minute silent film that captivates audiences with its quasi-surreal nature. In this groundbreaking work, Paripović walks a disjointed line through Belgrade, creating a visual labyrinth in which boundaries blur and conventional notions of beginning and end dissolve.
His work is associated with a radical new wave art movement that sought to challenge the status quo of the art world and reject the commodification of artistic expression. In essence, Paripović’s creations emerged as a critique of established norms and a rejection of art as a mere commodity.
Today, Neša Paripović’s artistic legacy endures, even though much of his work has been lost over time, a phenomenon attributed to his initial involvement in a post-object phase.